There are lots of ways you can use your Brahma! I started with acoustic measurements of ancient archaeological spaces. The measurements I produce can generate detailed acoustic properties of the space. These impulse responses can also be used to recreate the acoustics of the space in your own recordings too.
You can see the work of an important research group, who use an early version of Brahma microphone in their work. archeoacustica
Soundtracks for virtual reality and augmented reality
Ambisonic microphones were a niche product till about three years ago. But they have become the go to microphones for AR/VR/MR. I get enquiries for these microphones regularly and have sold several to clients in this field, such as Oculus Rift.
As well as professional field recordings for creative applications in film and VR, several ethnomusicology scholars have used Brahma-in-Zoom for their audio documentation, finding the ability to record unobtrusively and zoom into sounds of interest in post production very useful.
I have used ambisonic microphones for music recordings ever since I started making them – about ten years ago. From Manganiar folk musicians in Rajasthan, outdoor outside the Jodhpur Fort, to Sarod and Tabla, performed in a friend’s living room, to a jazz concert in Delhi, and many recordings of traditional music in Kishangarh, Rajasthan. Brahma-in-Zoom is a versatile way to make unobtrusive recordings with a high fidelity of spacial reproduction. Sarod and Tabla – Brahma-in-Zoom
Many of the requests we have received are for samples of nature recordings. We will try and meet these requests. First we start with a recording of frogs done in south India by Shreyasi Kar, using Brahma-in-Zoom.
Listen to the frogs here (B-format recording converted to ORTF-ish stereo using VVdecode from VVaudio.) Or distant calls of sarus – Bharatpur forest